Unlike traditional lecture classes, film-students not only dream up ideas, they cast, rehearse, costume, explore and produce their thoughts into well-crafted films.
For CCSU Film student, Abe Azab, fighting for transgender rights – a topic he freely chose, was not just an idea, he went on an artistic process to realize his idea.
Today, we are so pleased to announce that Abe Azab has won a Jury Award from the Campus Movie Festival – the worlds largest student film festival, sponsored by the Walt Disney Company, Lumix and Goldman Sachs to name a few.
When you’re transgender, merely using the bathroom is a risk.” THE MEN’S ROOM – an intimate portrait on a need for privacy, dignity and respect.
Posted by Jeff Teitler – Professor of Communication
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In a new milestone, CCSU Film alumni and students produce with Grammy Award Winning Artist, Pharoahe Monch and Filmmaker/NYU Film professor, Tatjana Kretevski.
NEW YORK UNIVERSITY, GRAMMY ARTIST, PHAROAHE MONCH AND CENTRAL CONNECTICUT STATE UNIVERSITY?
With an unprecedented uptick in accolades and achievements over the last decade, CCSU Film students have been accepted to top tier film schools, are selected in film festivals, have been recognized by the United States Congressional Black Caucus, produce for ESPN, NESN, Luis Vuitton, commended by the Governor and the list goes on. But they are also connected to where it began…at CCSU.
In 2018, CCSU’s Film program wanted to test and re-invent our Studio Production curriculum. To do so, we called on CCSU Film alumni and current ESPN production artist, Joshua Therriault. Spending an entire summer developing and overhauling the way production could be taught, the pilot was so successful, it netted over 40 production contracts for our students and participating alumni.
Since that time, CCSU’s production team remains in close touch. So much so, that when CCSU Film Alumni Rashad Frett, a current MFA Film student at NYU reached out to Therriault to help produce Pharoahe Monch’s music video, Therriault knew what to do. He immediately sold the team on shooting in Bristol CT and engaged the producing students and alumni at CCSU. Knowing the skills they developed, the 3 day production directed by Kretevski, included, CCSU Alumni Arianna Thibodeau, steadicam operator, along with CCSU students, Courtney Rush, David Rawolle, Cody Charneski and Ricky Hamilton – all of which gained official credit in the music video. In fact, since the successful drop of Thirteen’s “Fight”, it has been featured in Rolling Stones magazine.
This work is yet another milestone in what a state university film program can do. Another music video in the works in the next few weeks, which will also use the CCSU pilot studio participants.
Posted by Jeff Teitler, Professor Central Connecticut State University
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Envision Films / Jeffrey Teitler in collaboration with F. Perry Wilson, MD MSCE, MEDSCAPE and Yale New Haven Hospital release a 9-minute editorial. MEDSCAPE DOCUMENTARY PUBLICATION
Entirely phone-shot, Wilson provides a visual, insightful and compassionate account on the front lines of COVID-19. Wilson, whose science communications can also be found in the Huffington Post, NPR, and his own editorial channels as well offers a rare glimpse into a COVID-19 ward.
Envision Films, LLC / Jeffrey B. Teitler and Hartford HealthCare agree to collaborate on 4 film-portraits. Noting the historical significance of the Corona Virus along with the heroic acts of healthcare providers, Hartford Health will feature a new tribute film on the front lines, every week this month.
In this first piece, a Hartford Health Care, Registered Nurse uses her phone to capture her morning routine. The Video received over 66,000 views on Facebook in its first week.
Jay Bialkowski, a 54-year-old Glastonbury man and security guard at Hartford Hospital, spent several weeks as a patient with COVID-19 at Hartford Hospital. The team never gave up hope. Megan Panico, MD, was part of that team and helped him get back to his family. This video was seen more than 40,000 times on social media
Keith Grant, APRN, Senior Director, Infection Prevention, shares why he has hope for the future and how safety is at the forefront of everything Hartford HealthCare does.
Several colleagues at Hartford HealthCare have been redeployed to serve on the frontline. They fearlessly face whatever comes their way to help those who need it most. Wherever you stand, we stand with you
Unapologetically, Filmmaking deals with human issues, characters and conditions. It is a complicated educational process, requiring technical, aesthetic and directorial instruction.
With an industry-endorsed curriculum and unprecedented student-outcomes, last year, politics and university power-plays engaged in an all-out assault on film education, workforce collaboration and academic freedom.These actions illogically hurt our students, diminished their curriculum, tossed out alumni-volunteers and cancelled our film mentorship programs. (We will have much to say and film about this in the future.).
But fighting for student-excellence has its rewards. Today, we are so pleased to announce another CCSU Film student milestone.After completing her second Film class, Mya S. Gray has been awarded a prestigious UNITED STATES CONGRESSIONAL BLACK CAUCUS SCHOLARSHIP – 20/21.The scholarship is awarded to students who show “exemplarity potential or mastery of a visual art.”
These are the outcomes we fight for. They are achievable by all students, when proper processes, standards and qualified instructors are in-place.
IN HER OWN WORDS – FILM STUDENT, MYA SAREE’ GRAY
From a short film created in only my second film class, I ended up with a scholarship, the beginning of my skill and an experience that changed my life forever.
While I was taking my first film class at CCSU, I became pregnant. At that time, I also started getting hooked on filmmaking. I actually doubled up and produced two final projects in that first film class. As my pregnancy continued in my second film class, we learned new cameras, techniques and broadened our story telling abilities.It was challenging and I was pushed hard.
As a new filmmaker, I believe life’s experiences can fuel the creative process. I decided to create a story about the intimacy between a couple approaching the birth of their first child.I filmed and developed the same scenes twice a week for the entire 17-week semester.I filmed right up until the week I gave birth.
I practiced character motivations, lighting and camera control while being regularly mentored on improvements in my filmmaking.
In only two semesters, I developed an amazing result.So much so, the film I created won a visual arts scholarship from the United States Congressional Black Caucus for Fall 2020-Spring 2021 The experience and film education changed my life.
Blog by Mya S. Gray
Posted by Jeff Teitler – Professor of Communication
For updates and additional information, join us in Instagram and Facebook
CCSU Film student and 2020 graduate, Tyler Helmbrecht is on the brink of success…This is his story.
TYLER: In the early winter of 2019, I wanted to create a short film centering on my work at McDonald’s. To be honest, I had never dedicated enough time to my filmmaking as sticking to one project was difficult. While I always carried my camera, like most of us, I had strong mental blockades that I needed to break. It was also challenging to not get discouraged throughout the process. But don’t!
In my McDonald’s film, I wanted to highlight my experiences as an employee, which also included a McDonald’s scholarship for my CCSU education as a filmmaker. On March 4th, 2020, I completed the first draft. It was forty-eight seconds long, cheesy and simple. Later, I had completed a second draft, which still needed work.
That’s when the battle began. There were long pauses in between drafts, which were supported with deadline extensions and regular prods to continue from CCSU’s Film program. But the more I filmed, the better my style, quality and message improved. As I said before, the process was tough, but much of it was mental.
During my last semester at CCSU, Corona virus hit and classes were no longer live. Feedback from CCSU’s Film program continued. Slowly, I plowed through…and then, after about 10 drafts, it happened. I finished.
As I uploaded the final version on YouTube, I did not list it. Instead, I sent a private link to my general manager at McDonalds, who sent it to her manager. Six hours later the franchise owner called my personal cell phone while I was closing the store. Within 24 hours, so many people had shared the private link, that it had over 500 views. So, I made it public. In doing so, I’ve connected with industry professionals on LinkedIn and even exchanged emails with
the Senior Vice President of corporate McDonald’s – other higher ups as well. Because of this film, corporate McDonald’s connected me with their primary advertising firm and today, I am on my second interview for employment at that firm.
Posted by Jeff Teitler – Professor of Communication
Production and Performance Studies
Central Connecticut State University
For updates and additional information, join us in Instagram and Facebook
The IndieFEST Film Awards, recognized by IMDB and a top 100 reviewed film festival on Film Freeway, has awarded THE SWEETEST LAND a Humanitarian Award of Distinction. Each year IndieFEST bestows Humanitarian Awards to deserving filmmakers who are committed to making a difference through impactful filmmaking that highlights a critical need of our time while demonstrating exceptional filmmaking skill.
This Humanitarian Award honors filmmakers who bring awareness to issues of Ecological, Political, Social Justice, Health and Wellness, combined with outstanding production techniques.
This is not an award that can be submitted for. Rather, selections are hand picked by the staff and judges from films received throughout the year.
On behalf of the cast and crew of THE SWEETEST LAND, we are honored for the recognition and thank the IndieFest Film Awards. We remain committed to advocacy efforts which focus on the highest quality, evidence-based prevention programs and strategies for youth and families in-need. Violence is preventable.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
We are honored to announce the SAN DIEGO BLACK FILM FESTIVAL has selected THE SWEETEST LAND. Founded in 2002, the San Diego Black Film Festival has grown to become one of the largest black film festivals in the country. THE SWEETEST LAND will screen on Saturday Feb 1st. For tickets and additional information CLICK HERE
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
Within film instruction, there are times of doubt…and the easiest thing to do is give up…but don’t! When your ideas are realized, the possibilities are predictable and endless!
We are pleased to announce that CCSU Film Graduate, Rashad Frett is a selected recipient of Spike Lee’s Production Fund. Frett, who graduated from CCSU’s Film program in 2009, has since been accepted to NYU’s prestigious MFA program in Film at Tisch School of the Arts. His work has been seen in national and international film festivals.
We are extraordinarily proud of Rashad and all others who continue to pursue their passions, advance skills and tenaciously tell meaningful stories. Never give up!
The heart of CCSU FILM’s achievement has always centered around the original ideas of our students While some ideas are controversial, others can be light-hearted and comedic. But more than dreaming ideas, our students regularly exercise, cast, explore, costume and rigorously develop the necessary skills to produce their ideas. The process is by no means easy….But it can be absolutely transformative.
We are pleased to announce CCSU Film student’s, Ryan Sehmi and Michaela Salvo are an Official Selection at the Women’s Film Festival in Philadelphia.
In his own words, CCSU Film student, Ryan Sehmi describes the process of creating this compelling piece below:
“Every 92 seconds, another American is assaulted. One of these American’s is Michaela Salvo. This issue is disgusting and a majority of assaulters, including hers, get away with it.
The story of making a film on this subject originated by Michaela’s struggle to create photographs based on her assault. As an artist, she wanted create images in ways that communicated her life and mental health following her assault… but she was struggling.
While I was taking a film class at CCSU, I began working on this film, but the film we created was far different than when we first started. Beginning with a shot of my subject curled into a ball, the first draft was terribly lit in our bathroom. I look back at it in embarrassment when comparing it to what we have now. The process to get there included exploring and creating about 10 different versions of this film, but it allowed Michaela and I to find her truthful story.
We showed drafts to our professor who appreciated the intent, and encouraged us to earn the “healing event” that we wanted. So we we went to the drawing board and continued.
Whenever we talk about assault, which is too infrequently, we talk about how the person is a victim… but that is all we talk about. We don’t focus on that person as a human, what their passions are, who they are. We see a shell of a person and that is wrong. We need to look at these humans as survivors.
We decided the visual of this film would show how a person who has been assaulted copes with their experience. For my girlfriend, it was creating self-portraits. Therefore, we decided to create a film of her preparing for one of these photoshoots… even using her some of the imagery she had created.
This approach seemed more effective and our professor agreed. Each week of the semester, he encouraged and guided us through the rest of the project. Many classes, I would present a new shoot and edit of the project, which brought us painfully and slowly closer to our current film.
Finally, on April 23rd 2019, it was completed. This process opened me up to the world of using cinema as a tool for combatting social issues. If not for my love for my girlfriend and her collaborating with me to create something that could help along with the one-on-one advising from our professor, this film would have never been made and I wouldn’t be on the path of using art in this way.
92 SECONDS will be featured at the WOMEN’S FILM FESTIVAL in Philadelphia this March.
Posted by Jeff Teitler – Professor of Communication
Production and Performance Studies
Central Connecticut State University
For updates and additional information, join us in Instagram and Facebook
We are pleased to announce THE SWEETEST LAND has won a prestigious Award of Merit Special Mention in SOCIAL JUSTICE from the IndieFEST Film Awards.
The IndieFEST Film Awards, recognized by IMDB, awards film, television, videography and new media professionals who demonstrate exceptional achievement in craft and creativity, and those who produce standout entertainment or contribute to profound social change. Entries are judged by highly qualified professionals in the film and television industry.
We are also pleased to announce a BRONZE award from the LATITUDE FILM AWARDS – LONDON as well as a SPECIAL RECOGNITION AWARD at the 2019 (IN)JUSTICE FOR ALL FILM FESTIVAL.
On behalf of the cast and crew of THE SWEETEST LAND, we are thrilled the message is getting out, that improvement in victims care and violence prevention remains possible and that lives can matter. With that, we are pleased to release a HOLIDAY MESSAGE from THE SWEETEST LAND
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
THE SWEETEST LAND will receive its Chicago Premiere at theINTERNATIONAL SOCIAL CHANGE FILM FESTIVAL, followed by a Q&A, Saturday, September 28th at the DU SABLE MUSEUM OF AFRICAN AMERICAN HISTORY, Chicago, IL
The International Social Change Film Festival is a celebration of our common humanity through film, music, art & fashion. The Festival is committed to liberation and amplification of community voice, social justice and change.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
When you spend nights and weekends in one of New England’s most violent cities, you realize how little you know and how much can be revealed.
For years, I focused my camera on Connecticut’s capital city of Hartford. I was embedded with police, clergy, community organizations, emergency personnel and victims of violence. That footage is now part of “The Sweetest Land,” a documentary film playing at select festivals nationwide.
Beyond the inequities of how urban and suburban violence are treated, we have a clear ability to improve lives where violence most occurs — and at no additional cost.
In the emergency room, there are days when multiple gunshots victims arrive. Yet uncontrollable bleeding is immediately met with life-saving efforts. Instantly, a quiet space transforms as highly skilled individuals urgently apply the best-known protocols to heal. The trauma room is a sacred space: It mandates equality. Race, gender, economic status and political affiliation are of no concern. Instead, evidence-based procedures are applied regardless of who shows up.
That is what systems can accomplish when the best available practice is required. But what is actually being done to prevent these injuries in the first place?
We spend millions of dollars without knowing whether youth violence programs even work. This was from the U.S. surgeon general in 2001:
“Hundreds of youth violence prevention programs are being used in schools and communities throughout the country, yet little is known about the actual effects of many of them. Few such programs have been rigorously evaluated, including many ongoing efforts. The evaluations that have been done indicate that much of the money America spends on youth violence prevention is spent on ineffective — sometimes even harmful — programs and policies.”
Blueprints, part of the Institute of Behavioral Science at the University of Colorado at Boulder, has found tested, effective programs that work when implemented fully and faithfully, not in halfway measures.
To be fair, there are extraordinary individuals and organizations in prevention and victims’ services who clearly improve the lives they serve.
However, the research shows that most organizations cannot prove efficacy or consistency within their methods when a rigorous evaluation is applied. That means potentially unproven methods or harmful interventions in prevention and victims care are being practiced on youths and families most in need of competency.
We can do better.
When prevention works, it is no different from the life-changing moments in a trauma room. When you meet the humans whom violence prevention has failed, you gain an instant understanding of how important standards of care are, using the best methods with qualified prevention providers and rigorous evaluation. It is what we pay for.
Yet we rarely demand outside audits on prevention programs. CNN found that $54 million was entirely misspent on Chicago’s violence prevention efforts. The cracks grow wider as well-intentioned organizations and individuals serve as therapist, social worker, life coach, etc., but potentially lack the educational credentials or proven methods to produce change.
Connecticut’s lawmakers should demand proven standards of care for violence-prevention services in cities, as well as credentialed providers and evidence-based methods. They should verify that the services offered are actually being offered. They should not accept program “skimming,” accepting only youths, victims and families who have the best chances of success, rather than those most at risk of violence.
For “The Sweetest Land,” we traveled from Georgia to Boston. We heard similar stories time after time. Struggling families didn’t get help. Hartford has a few new programs in place to connect with victims of violence and their families. The question is whether they are preventing further violence. The city needs a qualified and independent inspector general to make sure those programs are getting properly evaluated.
Keep in mind that when violence strikes an urban area, normally a nation does not mourn with the victims’ families as it does those of mass shootings. Rarely are outpourings of funds established to meet urban family needs. In the too many deaths I have filmed, the hardships are overwhelming.
This disconnect existed with every victim of violence I captured.
We applaud that violence statistics are down in Connecticut overall, and that fewer people are incarcerated. These are major accomplishments. But make no mistake, violence persists.
It is preventable and it is actionable. And to any elected official and legislator, if you can guarantee that our best efforts are implemented and working — as if it were your child at-risk — you too would represent “The Sweetest Land.“
Jeffrey B. Teitler is a professor of Communication at Central Connecticut State University and artist in residence at St. Francis Hospital and Medical Center.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
FOR IMMEDIATE RELEASE – OFFICIAL SELECTIONS – THE SWEETEST LAND
We are so pleased to announce upcoming screenings of THE SWEETEST LAND at multiple film festivals in Saint Lous, Austin and Miami. Special thanks to the Capital City Black Film Festival, Urban Film Festival, CommUNITY Arts Festival.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
In the Fall of 2017, five Central Connecticut State University Film students produced several new works for NESN’s NEXT PRODUCER. This annual film competition and television show accepts student-productions from colleges and universities throughout the New England region.
In an unprecedented outcome, the Film Emphasis within CCSU’s Department of Communication is pleased to announce that all five students, who submitted works have been OFFICIALLY SELECTED for NESN’s NEXT PRODUCER. This semi final round includes a broadcast on the network, introductions to industry professionals such as Tom Werner and Brad Falchuk, as well as a chance to produce for the Red Sox and a job offer at the New England Sports Network.
All four CCSU student-films can be seen the NESN website by clicking the images below. Season 3 of “NESN Next Producer” will begin airing on the NESN network Saturday, Feb. 17, at 8:30 p.m. ET.
The Digital Filmmaking Program at Central Connecticut State University is pleased to present, Matt Kevorkian’s MIDNIGHTS AT THE DINER. This short film was developed in Kevorkian’s senior year at CCSU and was an Official Selection within the New Filmmakers, NY Film Festival, 2018.
MIDNIGHTS AT THE DINER – Directed by Matt Kevorkian, Featuring Zach Fontanez, Amber Marie Martinez, Anthony Rivera and Gerson Daniel Echevarria. Shot on location at the Athenian Diner in, Middletown, Connecticut
For a musician, every sound can be a symphony.
For updates and additional information, join us in Instagram and Facebook
Posted by, Professor, Jeff Teitler – CCSU Film Program – Department of Communication
THE SWEETEST LAND will receive its West Coast / Los Angeles Premiere at the AWARENESS FILM FESTIVAL, followed by a Q&A, Thursday, October 10th, 5:30-7:00 PM, LA Live Regal Cinemas, 1000 W. Olympic Blvd, Los Angeles, CA
The Awareness Film Festival seeks to inform and inspire audiences through a program of films on Ecological, Political, Health/Well Being and Spiritual topics. AFF focus is to spotlight film-makers committed to making positive change throughout the world.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
We are so pleased to announce that THE SWEETEST LAND has won Best Documentary Feature in the Los Angeles Film Award’s February Selection and is nominated as the Best Documentary for 2019.
The LA Film Awards received 400+ five-star reviews on FilmFreeway, out of over 8,000 film festivals.LAFA’s Jury awards the best films through private screenings Best Picture awards.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
I would not presume to think that I can understand the experience of urban residents whose cities are under siege from chronic gun violence. But I do know now what it’s like to live in a town that is reeling from loss, acute pain and the grief that follows. Since my eyes have been opened by the Sandy Hook tragedy, I have come to realize that urban communities deserve all of the help, support and compassion that Newtown has been so grateful and comforted to receive. And I see enormous potential in our ability to unite in a common effort to save lives.
Ever since I first saw a rough cut of the gripping and inspiring documentary The Sweetest Land, I’ve given my whole-hearted support to the meaning behind the story, captured in poignant relief by filmmaker Jeffrey Teitler. This film shows the escalation of gun violence on the streets of Hartford and the devastating impact on the city’s residents, especially its youth population. Jeffrey’s camera follows gun violence victims and their families from trauma to recovery. We see those who are dedicated to addressing the violence, and are sadly surprised by those who are not. We are reminded that tragically, these problems exist in urban communities nationwide.
But this is preventable. Proven prevention strategies have been identified that can stem these losses and provide critical support to families and young people. There is a vital need for these types of programs, based in public health and science, to be brought out of the dark and applied to communities where they are needed the most. The time has come to replace feel-good efforts with strategies that actually enable youth to succeed, and provide them with road maps that lead them away from violence.
Every day we wait, the bloodshed on the streets continues. It is real. It robs families of their loved ones, young people of their potential and the city of a little bit of its spirit every time another life falls.
There will be several months before The Sweetest Land is completed and ready to be released. In that time, what kind of movement is possible? What kind of infrastructure, comprised of influential leaders, celebrities, citizens and affected families can stand with this story, and unite communities across the country?
I believe that we can create a human connection between suburban and urban communities. I believe we can unite republicans and democrats in a cause that isn’t just about guns. And I believe that a first lady, a rural town and an urban community can lead the rest of the country in a movement. Together, we can bring about change and begin to save lives almost immediately. All of which will bring us closer to our potential as a country of equal promise and opportunity, the inspiration for the film’s title The Sweetest Land.
Sometimes a story, with the right people standing behind it, can change everything.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
While the majority of Film students at Central Connecticut State University focus on narrative and documentary filmmaking, there are other areas of production, which also lead to impressive outcomes. In Colleen Lennehan’s case, it was a New York Times publication – an honor given to selected photographers, who are screened by the paper’s Wedding Section.
A recent graduate of CCSU, Colleen struggled with just about every aspect of the production process. Though multiple films were conceived with zeal, she never allowed herself to perfect a single one. Needless to say, it was an odd choice when she enrolled in an Independent Film class during her final semester….and that’s when things changed.
COLLEEN:
For the majority of my time at CCSU, I was a Journalism major. I spent hours writing and editing articles about current events and ethics within journalism… but photography was my passion. Naturally, I also took Filmmaking courses in the Communication Department.
While Filmmaking widened my ability to capture beauty, the exercises were not easy. Initially, we were assigned to explore themes of our interest through photography. Since the exercise was content-based, there were no aesthetic or technical requirements. I struggled with that. A lot!
As Teitler’s course progressed, I spent hours working with light. I used my family as models and felt like a complete fool. With increasing complications, the combination of exploring ideas, characters and behaviors with cinematic technique, light and critical thought was frustrating. But, I continued. I shot sporadically, brought in a bad mood consistently and never gave up….neither did the class.
Eventually, I became interested in filming on the theme of, “ bliss.” I began to apply cinematic technique, practiced and slowly, my ability to capture more meaningful and candid moments improved. These courses opened my creative side, by challenging my critical, aesthetic and technical sides…but it’s a process…and that process ultimately lead to my photography business today. As for my advice: Don’t let the aggravation of failure stop you from pursuing what you love. In every defeat, if you continue, you will find progress.
Since graduating only 2 years ago, Colleen has built her own wedding and photography business. Recently, her work was published in the New York Times. Colleen’s business has been steadily growing and the idea of “Bliss” remains her area of interest.
We are pleased to announce that the Fort Worth Independent Film Showcase has awarded The Sweetest Land a Best Documentary Feature, within the out-of-state film genre.
On behalf of THE SWEETEST LAND’s cast and crew, thank you to the Fort Worth Independent Film Showcase for recognizing the often overlooked survivors of inner city violence, the first responders, medics and our immediate need to improve conditions for all.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
This week THE SWEETEST LAND was honored to receive the endorsement of CT Against Gun Violence. Lobbying in Connecticut for over 25 years, CAGV focuses on the reduction of gun violence through education, coalition building and legislative action.
For many years we have been looking for a film that speaks to diverse communities, advocates and supporters of gun violence prevention alike, and that accurately portrays the sad truth of gun violence in Connecticut, specifically the violence that occurs in urban communities. The Sweetest land is just the film we have been looking for.
The Sweetest Land does a brilliant job of exposing the plaque of gun violence that has become a public health crisis in the United States. While there are many films out there that try to show the long-term devastation that gun violence has caused, this film accurately captures the reality that many of America’s cities face every day.
While suburban gun violence has gotten much of the attention in the media, this important film refocuses our attention and exposes decades long urban gun violence that exists in cities like Hartford, CT. THE SWEETEST LAND does an excellent job humanizing this problem and allows us to get closer to the families and survivors of gun violence. After seeing this film, people will be compelled to want to find common sense solutions to this senseless violence.
CT Against Gun Violence is proud to endorse the Sweetest Land.
Jeremy Stein – Executive Director – CT Against Gun Violence
Thank you CAGV for standing with THE SWEETEST LAND’s urban victims and families. According to the CDC, violence is preventable…but only if cities and states implement methods based in the best available evidence. A recent national study revealed that only 5% of such violence prevention organizations could prove their methods were effective at reducing violence. That number must be improved. Lives can matter.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
The prestigious Yale School of Drama consistently ranks within the top-three theatre schools in the country. Graduates include Meryl Streep, Sigourney Weaver, Paul Newman, Angela Basset and many others. Conversely, Central Connecticut State University’s Film program is not officially ranked. While we accept students with various interests, it is no surprise why five of our CCSU Film graduates were chosen to produce with the prestigious Drama School.
Quietly working in New Britain, Connecticut, for the last decade, CCSU’s Film program has focused on artistic and instructional rigor. Our emphasis exercises the skills, processes and exploration of content necessary for students to produce with. Through the years, we’ve accomplished impressive outcomes, but this weekend, our program reached a new milestone – 3 Central Connecticut State University Film graduates, were commissioned to produce with the Yale School of Drama.
As part of the State University System, CCSU’s Film program accepts students without any production experience. While the desire to tell stories is critical, it is actually the ability to revise, evaluate and sustain a practice of filmmaking, which builds meaningful productions and sustainable skills. Engaging in that work can be nothing short of transformational and often times, predictable.
This weekend, CCSU’s FILM program is proud to congratulate five of our graduates, Joshua Therrault, Rashad Frett, Colleen Brown, Kara Brewer and Robby Silcox. You continue to break new ground, grow your artistic techniques and model what is possible from a State University in New Britain, CT.. This is what we do!
Posted by, Professor, Jeff Teitler – CCSU Film Program – Department of Communication
We are pleased to announce THE SWEETEST LAND is an OFFICIAL SELECTION within the FORT WORTH INDEPENDENT FILM SHOWCASE. The film will be featured this July 26, 2019 in Fort Worth, TX . FWIFS is a top 100 best reviewed festivals on Film Freeway. LIVES CAN MATTER.
Stay tuned for upcoming screenings and additional awards. Violence is preventable. Lives must matter!
THE SWEETEST LAND
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
THE SWEETEST LAND is a selected finalist in the Davinci Film Awards. DaVinci International Film Festival (DIFF) is a premier boutique awards platform celebrating independent cinema worldwide. DIFF’s Vitruvian Awards are hosted in Los Angeles, CA. In 2022, the DaVinci Film Institute — the organization’s NGO arm — will honor Creatives across multiple arts & sciences disciplines with a satellite awards ceremony in Washington DC.
Stay tuned for upcoming screenings and additional awards. Violence is preventable. Lives must matter!
THE SWEETEST LAND
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.