For Sintia Arelus, college was never about late-night hours in an editing lab….but last semester, changing that would transform everything. In the Fall of 2016, producers of New England Sports Network, (NESN) contacted CCSU in-search of college students, who might be interested in developing sports-related films for their NEXT PRODUCER competition. While normally, this would not be an appropriate fit for a first-semester Film student, certain times call for extreme efforts.
Wanting to participate, Sintia immediately chose to accelerate her learning. She focused on issues of race and spent a mass of hours, filming, editing, fixing errors, along with regularly sending midnight images for feedback. Slowly, her story-telling technique was growing.
With only 7 weeks to cram in 16 weeks of work, Sintia engaged in basic directing, illuminated scenes and dramatically increased her production abilities – accomplishments all students are capable of. Though frustrating, (if not excruciating under such a deadline), the uptick in work and learning was worth it. In fact, she produced her first film within the short deadline.
Today, we are pleased to announce Sintia Arelus is now amongst the top–three for NESN’S Next Producer Competition.
Currently, Sinta’s film is scheduled to be broadcast at Fenway Park in Boston. An amazing accomplishment!
Posted by Jeff Teitler, Associate Professor – Filmmaking – Department of Communication, Central Connecticut State University.
To see the write up in the Hartford Courant, CLICK HERE
Posted by, Professor, Jeff Teitler – CCSU Film Program – Department of Communication
First generation CCSU college graduate, CCSU Film alumnus and Hartford-based filmmaker, Rashad Frett ’09 gains acceptance to New York University’s MFA Film program at Tisch School of The Arts. The highly competitive and prestigious Kanbar Institute of Film and Television accepts only 7 percent of applicants. Frett will now advance his filmmaking under notable directors, writers and cinematographers including, Spike Lee and Kenneth Friedman and Sandra Sissel to name a few.
Frett, credits Central Connecticut State University’s Film program and the Department of Communication for his artistic foundations, mentorship and development. The CCSU Film program is proud to have played a part in not only Frett’s extraordinary accomplishment, but also in the meaningful work, skills and recognitions our students and alumni produce and achieve regularly.
Though artistic study in Filmmaking is not easy, the desire to tell stories, along with the ability to practice, evaluate and improve, earns powerful talents, skills and stories.
Frett’s accomplishment speaks to this notion. For additional information, see: www.ccsufilm.com
To see the write up in the Hartford Courant, CLICK HERE
Posted by, Professor, Jeff Teitler – CCSU Film Program – Department of Communication
Whether you live in New York City or Roswell New Mexico, gun violence has become a nationwide epidemic. Through extensive research and lengthy persistence, Jeffrey Teitler examines an often overlooked side of this issue; prevention. We talked with the director/professor about process and the lessons he learned while making this film.
LOWER EAST SIDE FILM FESTIVAL: YOUR FILM FEELS LIKE A NEW TAKE ON A VERY IMPORTANT ISSUE IN OUR SOCIETY, WHERE DID YOU GET THE IDEA TO MAKE THIS FILM?
Jeffrey Teitler: Living in Connecticut, few would deny the devastating toll that a gun or knife can have. Exploring this, for years I spent nights and weekends in one of America’s most violent cities. Quickly realizing how much there was to learn, an entirely different story and unlikely findings emerged.
Hartford is Connecticut’s Capitol City, a location where gun violence prevention remains a hot topic. But within the inner city, finding any social service organizations or violence prevention initiatives, which offered substantial opportunities for those most at-risk or in-need, became difficult. Moreover, as urban victims of violence and families were consistently abandoned from mental health services, job training and life skills, it begged the question, who is good…and what do we stand for?
LESFF: YOU HAVE AMAZING ACCESS TO YOUR CHARACTERS IN THE FILM. HOW DID YOU GO ABOUT GAINING THIS ACCESS?
JT: Thank you! Persistence was the key. We began slow with one reverend, whose work focused on victims of violence. As I was gathering a mass of images and stories, it grew into something that inspired other organizations…but none of it came easy. We were rejected regularly. Wanting multiple perspectives, as I was filming on one story, my colleagues and producers, Dr. Serafin Mendez-Mendez and Ron Kowalczyk, were gaining access to others.
During the process, I met many extraordinary people – most during their worst of times. On the other hand, there were days when multiple gunshots victims arrived in the emergency room and instantly you see great changes. Uncontrollable bleeding is met with the best, life-saving efforts. In a moment, a space transforms as a mass of highly skilled, extensively trained individuals rush to save a life. That is a powerful reality of what our system can accomplish.
LESFF:WERE THERE ANY SURPRISES THAT CAME UP WHILE MAKING THIS FILM?
JT: Lesson 1: Abandon preconceived notions. Surprises occurred all the time… While filming at the trauma center, I thought gaining the trust of gunshot victims and their families would be challenging. The notion of requesting permission was extraordinarily humbling. But my assumptions were wrong. Over 90% of the victims I filmed (and there were many) not only signed on, but were glad filming was occurring. They gave revealing and private glimpses into their families, vulnerable moments, treatment and humanity. Instant bonds occurred ripping through stereotypes and forming meaningful relationships. They still last today.
LESSON 2: RISK: Frustrated with the lack of mental health counselors, victims’ services, prevention providers, etc., I wrote the CDC’s Director of the National Center for Injury Prevention and Control. Understanding that local NGO’s were not returning my calls, surely the director of a major federal public health institute would be just as absent. Yet, within a week, I received a message from Dr. Linda DeGutis, (the CDC’s director). DeGutis was not only fully engaged, but she also invited a test screening of the film at the CDC. There are good and responsive people working in prevention.
LESSON 3: HOPE. After years of filming, my hard-drives were filled with live shootouts, murders and a mass of preventable urban pain. The weight of developing something meaningful from this was ever-present. As a small micro production, I edited for many years and the task of telling a story which is actionable and meaningful was daunting. To help with feedback, we privately tested the film at a number of institutes. Yet, it was during one test-screening, where I observed a film participant, (a victim of gun violence who nearly died years ago), end up speaking with the film at the most prestigious law school in the land, (Harvard). It revealed the power of a story.
LESFF:THE RESEARCH REALLY SHOWS IN THIS FILM. HOW LONG WAS THE RESEARCH PROCESS FOR YOUR FILM?
JT: Recognizing lacking prevention methods and absent victims’ services by social service organizations, was not something I anticipated seeing. In fact, it wasn’t a story I wanted to tell. Perhaps it was just a few complacent leaders or prevention initiatives gone wrong. I tried many times to dismiss the anecdotal evidence, which kept repeating itself. But when you see a youth or good family in-need, ignored by services, which can make all the difference in their futures, it gets to you. I started research with small searches on prevention and found a CNN report about the City of Chicago, which spent (or misspent) 55 million dollars on random violence prevention initiatives as the murder rate continued. Additional searches revealed that some well-funded, nationally known violence prevention initiatives, increased rates of violence, but who is watching? That’s when I saw the Blue Prints study, which placed much of what I saw in perspective. That research also inspired our connections with leading prevention scientists, such as Dr. DeGutis, who is now the film’s official advisor.
Looking back, there are so many ways to tell the story of urban violence. However, I don’t know of any current story that focuses on this issue of prevention. Telling that story, based in the best available evidence, our hope is to inspire conversations, which can save lives and improve policies. We are so honored to have been selected within the Lower East Side Film Festival.
Article by Josh Greenwood
YOU CAN SEE THE SWEETEST LAND ON MONDAY JUNE 10TH, 7:30 PM AT VILLAGE EAST CINEMA!
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
We are so pleased and honored to announce that THE SWEETEST LAND has been selected to screen, on June 10th, 2019 within the Lower East Side Film Festival. NYC.
The Lower East Side Film Festival (LESFF) features the innovative work of creative, up-and-coming filmmakers, and showcases those films in the heart of New York City’s Lower East Side. Past Lower East Side Film Festival judges and talent have included Ethan Hawke, Susan Sarandon, Willem Dafoe, Denis O’Hare, Laverne Cox, Rosario Dawson, Rami Malek, Parker Posey, Ilana Glazer, Dolly Parton, Indya Moore, Samantha Bee, Dana Brunetti, Natasha Lyonne, Marky Ramone, Rebecca Miller, Sasheer Zamata, Judah Friedlander, Lizzy Caplan, Amy Arbus, Justin Bond, Nick Kroll, Eliza Dushku, and many, many more.
On behalf of the cast and crew of The Sweetest Land, we would like to the Lower East Side Film Festival for the recognition and desire to bring a new conversation to NYC.
THE SWEETEST LAND
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
Jessica Courtright of Augusta, Georgia was diagnosed with Ewing’s Sarcoma over a year ago. 800 miles away in Connecticut, we heard about her story. What occurred thereafter became an incredible journey of engagement, hope and action.
BACKGROUND: Parenting is no easy task. Ask Rebecca Courtright, whose daughter, Jessica was diagnosed with a rare form of cancer. The diagnosis set off a year of anxiety-filled moments, terrible setbacks and dark days. Using social media, they requested hope, prayers and (if possible) assistance. They posted regularly and shared heartbreaking photographs of Jessica’s struggle with the disease.
800 miles away, Jessica’s images were presented in a 228 basic filmmaking class. There, we discussed ideas for engagement and action. We connected with friends, associates and asked them to send in messages of hope for Jessica and her family. The objective was to infuse extreme amounts of kindness and light into the situation. While we did not know Jessica or her family, the simple act of engaging within this situation inspired so many to participate.
At CCSU, we have a community engagement initiative. As a film instructor, it is my hope that the films we produce are executed with inspired spirit, good intent, thought and a deep desire to communicate. In this very basic step, we wanted to let a family know, they were not alone.
THERE IS MORE TO DO: The fiscal and emotional toll of pediatric cancer requires the engagement of many. If you are aware of those effected by this issue in Connecticut, let us know if we can help: CLICK HERE
Posted by: Jeffrey Teitler – Professor, Central Connecticut State University
Participants include: Central Connecticut State University’s Students and Alumni – Shae Sau, (ESPN) Sarah Yacavone (Walt Disney World), Amanda Bitgood (WRCH), Brandon Couloute (Choreographer), Nick Trifone, Jensun Yonjan (CCSU Student), John Sudol (CCSU Track Team) NBC Connecticut’s Darren Sweeney & Tara Joyce ESPN’s Prim Siripipat and Randy Scott Sudor Taino – Karla Medina/Vibe Tribe 100.5’s Allan Mike and Mary, 96.5’s Damon Scott and Gina The LDS Church of AZ, Tisha Illingworth, Operation Give Life/Randy Boyer, Beth Naji and many others who engaged, sent in films and used production for good within this critical issue. For additional information, click Jessica Courtright Posted by Associate Professor, Jeffrey B. Teitler – Department of Communication – Central Connecticut State University
In 2009, Aswad Thomas was a college grad and was looking forward to a career playing basketball in Europe. That didn’t happen. On Aug. 24, Thomas was shot on Albany Avenue in Hartford while leaving a convenience store.
Thomas survived and walked again, but his life changed forever. Instead of sports fame, Thomas got a master’s degree in social work from UConn and is now managing director of Crime Survivors for Safety and Justice.
Thomas is one of the community members, first responders, social workers and health workers featured in “The Sweetest Land,” a film about street violence in Hartford. The movie is having its Connecticut premiere on May 30 at the New Haven Documentary Film Festival (NHDocs).
“I want my story to be told. Being released from the hospital back into the same community where the incident happened was a very traumatic experience. There was no follow-up,” Thomas said in a phone interview. “There should have been opportunities to connect myself and my family to counseling, housing relocation. That’s the least you can do.”
The documentary was made — starting about 10 years ago — by Jeffrey Teitler, a filmmaking professor at Central Connecticut State University in New Britain. Teitler also is an artist in residence at Saint Francis Hospital and Medical Center in Hartford, a position he took to facilitate the filmmaking process.
The premise of the documentary is that Thomas’ experience is common for victims of violence in Hartford and that most organizations dedicated to violence prevention and victim services aren’t succeeding.
“Every patient comes [to Saint Francis] on death’s door. A mass of trained, skilled people are urgently helping this patient. All their resources go into this individual and family,” Teitler said in an interview at Saint Francis. “Then you follow the family out of the hospital and there is absolute abandonment.
“Organizations that are supposed to be helping them have awards ceremonies and accolades, but on an anecdotal level, I couldn’t find anything of value there,” he said. “The conversation of prevention has not occurred in the way it needs to have occurred. There needs to be a standard of care.”
Teitler cited statistics from a “Blueprints for Violence Prevention” national study that estimated that the effectiveness rate for violence-prevention and victim-services projects nationwide at 5 percent.
That study, developed by the Center for the Study and Prevention of Violence at the University of Colorado–Boulder, rigorously studies the effectiveness of programs geared toward curbing youth violence and delinquency, with the goal of developing evidence-based models for effective programs.
In citing that statistic, Teitler emphasized that the problems with program effectiveness in Hartford are mirrored nationwide.
“In the event of a death [at Saint Francis], there is a rigorous investigation. If you ask a nonprofit for an evaluation of that loss, what interventions had been done, there’s no info. How is that possible?” he said. “These disconnected organizations somehow are missing the target. Some of these organizations can’t articulate the methods they use.”
Teitler filmed much of “The Sweetest Land” in Saint Francis’ trauma room with the hospital’s consent. (Warning: The footage is graphic and disturbing.) All gunshot victims who appear in the film gave Teitler permission to use the footage of them after Teitler had filmed it. Teitler pointed out that Saint Francis is now part of Trinity Health, whose protocols severely limit filming in the ER and trauma rooms. “I no longer film in the trauma room,” Teitler said.
Community members
The movie also features St. Francis staffers David Shapiro, Schuester Christie, William Marshall and Colleen Desai; Hartford PD staffers Mack Hawkins, Karla Rodriguez, Richie Medina and Billy Rivera; radio personality Brad Davis; pastors Henry Brown and James Lane; violence prevention workers Warren Hardy, Kevin Borrup, Sereyana Wallace, Althea Webber, Thomas Phillips and Enid Rey; and community members including Justin Bonilla, Jasemine Cicero, Davonne Biggins, Luis Torres, Betsy Torres and September Chatfield.
In 2015, the Hartford Courant’s Opinion Department participated in a joint partnership with Teitler as part of “The Sweetest Land” project to generate essays, op-eds and other content focused on the theme of urban violence prevention.
Hardy, a former Hartford gang member, founded HYPE (Helping Young People Evolve) and is outreach coordinator for Compass Youth Collaborative’s Peacebuilders, both based in Hartford. The groups work with at-risk youths — victims and perpetrators — to help them transition back into school or jobs.
“We teach coping, principles, morals. We help with their needs. I see it from perspective of one of the youths who deals with all the trauma and violence every day,” Hardy said in an interview. “After countless hours of engagement, you see a glimmer of hope. Someone gets a diploma. Somebody leaves the game.”
In an interview, Hardy said many organizations get funding to help at-risk communities but the money often doesn’t get to the people in those communities.
“It goes to the highest level of the organization. Some of it trickles down. The people there want to ensure that they have a job and that the organization continues to exist more than that young people get the help they need,” he said.
C. Steven Wolf, chairman of emergency medicine at Saint Francis, suggested that organizations that fall short of their mission may be thinking about their monetary sources. “Organizations want to celebrate their successes, and they should, but if you tackle difficult cases, you won’t succeed in getting funding,” Wolf said.
Biggins, a poet, recites his poetry in the movie: “Walk with me, down that one way on Bellevue to Sanford, take that right. That right there on the left hand side, man, that’s the exact place where my … Paulie died. And my grandfather used to live on that same block. So every time I went to go visit my pops, man, I had to relive those shots.”
Racial divide
Shapiro cited a racial divide in victim follow-through. “When we see wealthy Caucasians exposed to violence, it gets a lot of attention,” he said. “But men of color are diluted in the community. People see them every day of the year as victims of violence. They’re not seen as a community that needs support.”
Brown, who founded Mothers United Against Violence in 2003, agreed. “We’re forgotten in our own community. We are a forgotten people,” Brown said. “It’s frustrating to see the different response among different groups of people. We don’t have that support because we’re people of color.”
Teitler said the movie’s title is both ironic and unironic. In the unironic definition, “the sweetest land” is a hospital. “When you are injured and dying, the emergency system people support and understand you. When you see that happen, it’s just beautiful,” he said.
Before New Haven, “The Sweetest Land” has been shown in New York and Los Angeles. “The conversation is the same everywhere we show the film,” Teitler said.
Surprisingly, the movie hasn’t been screened in Hartford. Teitler said it will be some day, but there are no immediate plans.
NHDocs
“The Sweetest Land” is the opening-night film at the sixth annual NHDocs, a festival of 66 feature films that runs from May 30 to June 9. It will be shown May 30 at 7 p.m. at Whitney Humanities Center, 53 Wall St. in New Haven.
The screening of the 63-minute film will be followed by a panel discussion with Teitler and Dr. Linda Degutis, former director of the Center for Disease Control’s National Center for Injury Prevention.
Following that, at 9 p.m., will be a screening of “Questions of Justice: Officers of Color in the Era of #BlackLivesMatter,” a 42-minute film about relationships between police and marginalized communities in New Haven. That film will be followed by a panel with directors Aaron Peirano Garrison and Clark Burnett. Admission is free.
A special focus at the fest this year is on Oscar-winning documentarian Michael Moore. Seven of his films will be shown and Moore will attend screenings, doing talks, Q&As and film introductions.
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
Featured at The Museum of the Moving Image in Queens, NY, we are so pleased to announce that THE SWEETEST LAND was the festival winner at Queens World Film Festival. Thank you, QWFF
In urban America, there are community promises made, triumphant political speeches performed and conditions, which rarely change. Yet when the gunshots sound and blood spills, who shows up?
From the midnight surgeons, to a community on the brink of hope and sacrifice, THE SWEETEST LAND investigates real stories of violence, prevention and change, where complacency can no longer be an option.
I grew up in Hartford, attended Hartford schools and college. I have always seen life differently. My family raised me here, we definitely struggled and yet I believe it was living in Hartford that created my determination to serve my community in deeply committed ways.
Before retiring in June, I spent 20 years as a Hartford police officer, where I regularly advocated for gang prevention initiatives that would help youths succeed. I was assigned to the Homicide Division, Gang Intelligence and the Police Activities League (among others). In that time, the violence and bloodshed continued through a number of chiefs, enforcement philosophies and political administrations. As an officer, I took every violent act personally and clearly remember the screams I heard. But in all of those years, I saw very few cohesive, responsible, dedicated and accountable violence prevention strategies implemented within the city and community that I love. And that is troubling.
Studies show that roughly 2 percent of Hartford’s population commits most of the criminal acts. From firsthand experience, I know historically, and most likely now, there has been no plan for a brighter future or any extensive efforts to effectively reach those individuals (or those who will become that 2 percent). Much of what you hear are band-aid fixes, new program names and reliance on “hope” for what I see as a chronic sucking chest wound within the city.
We all have advocated for more resources and jobs at one time or another. But even successful prevention programs cannot compensate for the many other funded programs that repeatedly fail our youths, do not advance practice and provide low quality care for those in dire need. Overall, there is a gaping lack of accountability and oversight within these prevention initiatives, their methods and outcomes. We lose lives, miss opportunities and misspend millions without quality assurances and studied results. For example, crime prevention nonprofits submit self-evaluations and self-monitoring reports to receive funding while few watch for accuracy, data proof and outcome. I’ve seen it.
It seems to be part of a predominantly fruitless funding cycle between local, state and the federal government to nonprofit programs that ensures “just enough” is done to stay funded, yet does not mandate enough quality, sustainability, delivered skills and tracking of youth living in Hartford, where the risk of violence is high.
Let’s be clear, there are some great nonprofits that are doing the best they can. But, this is a result of a caring core of workers and prevention practitioners who are dedicated to the cause. Unfortunately, with little leadership and structure, real lives are lost, while a cycle of internal politics, budget tricks or optimistically framed statistics, distracts us all from a truth few are willing to share. We need to responsibly overhaul prevention strategies, reallocate what we spend and deliver effective care. In doing so we need to rigorously monitor results and ensure that people and families have the tools and skills needed to share in the American dream.
On the streets, I dealt with some of the most at-risk individuals in Hartford. I also regularly encountered too many parents, children, criminal offenders and victims who are completely uninformed about which nonprofit programs are available to them, or even what programs might be an appropriate fit for their needs.
Many years ago, I presented a number of ideas to then-Mayor Eddie Perez, which I believe could have changed Hartford’s dynamic; one of them being a citywide referral database by which all nonprofits receiving funding within the city would be required to register and share information with each other. This could help our community to better assess and serve youth and families in much more comprehensive ways, while providing the services they need. I also suggested we use out-of-state evaluators, who have no political ties or agendas. Doing this would ensure true compliance, value and service for the millions of prevention dollars being flooded into the same sections of the city. While I received no response from my presentation, it is more important to acknowledge that Hartford is not advancing as much as it should. In fact, history is repeating itself.
I have seen violence in the most profound, hurtful and personal ways. I would love to see department heads, politicians and the community stand for nothing less than true prevention through true accountability.
Karla Medina of Hartford is a retired Hartford police sergeant and participant in THE SWEETEST LAND
It should have been an enjoyable day. I was at a basketball tournament in Hartford a few months ago and the energy was great. Some 200 people cheered, bikes were given away to community youths, and donation bins accepting clothing for families in need were filling up.
That’s when the sounds of gunshots erupted. You never forget those sounds and the chaotic wave of panic and screams they produce. On that day everyone ran — children, teenagers and adults scattered in broad daylight while another innocent bystander in Hartford died on the ground. Three others were injured.
This wasn’t my first experience with violence. On Aug. 24, 2009, I too became a victim. I was leaving a convenience store in Hartford’s North End and was approached by two men. One of them had a gun in each hand. He was targeting me. Out of reflex, I lunged at him.
I grabbed his arms. I held on tight, but he slipped my grip. Two shots sent bullets searing inches from my spinal cord and I fell to the ground. Trying to stand, my legs didn’t work. I was in the parking lot trying to crawl to the store when my brother saw me. He ran over and held me. The moments were long. I kept repeating, “I don’t want to die, I don’t want to die.”
Truth be told, five out of 10 men in my family have been shot. I’ve lost more than 40 friends to violence, including my best friend, who was killed at 10 years old in Highland Park, Mich.
I was mad. I had thoughts of retaliation. So did my friends. Although ours might be a typical response to trauma (or a preventable future act of violence), there were no follow-up services from any community-based organization or gun violence intervention program offered to my family, friends or me. In fact, aside from one underfunded reverend, several mothers who also lost their children to violence, and my family, there was no one to help.
Nighttime was the most difficult. I dreaded seeing the nurse come into my room to change the bandages. The pain was excruciating. I’d stay awake, just watching the door. I wondered if those who shot me would return to finish the job.
I wasn’t alone. Across America, too many young men and women of color endure traumas like this every day and have the same thoughts of revenge.
I know that many violence-prevention programs exist in Connecticut. However, it is puzzling that none called. There were no specialists, therapists or government officials who offered preventive care.
Unacceptably, for too many years, the capital city has had too many lives lost and families broken from violence. We respond with community rallies, meetings and even a visit from the Rev. Al Sharpton. Politicians use the issue to get elected. But with all of this talk, what preventive measures are in place to address these problems, and what programs actually help victims? Too many victims experience abandonment.
I was shot three months after becoming a first-generation male to graduate from college. Had I not been shot, I would have been playing professional basketball in Europe right now. Violence ended my dream.
On the other hand, I fought back. I had lived on one of the most notorious streets in the North End of Hartford, and I considered myself a survivor of violence. I didn’t want to become another statistic in Hartford.
I completed my master’s at UConn’s School of Social Work. As an educated resident and victim of violence, I wanted to connect those at risk with the services they need.
Homicide is the leading cause of death for black men age 15 to 34 nationwide. This is a public health crisis.
Aswad Thomas appeared in the documentary “The Sweetest Land.” He is an advocate for violence prevention programs.
Prior to THE SWEETEST LAND’s completion and release, the Hartford Courant will present exclusive cutting room footage (stories not used in the film), imagery and opinion pieces from film participants. National prevention experts along side of Hartford’s victims of violence, emergency room physicians/practitioners, trauma surgeons, law enforcement professionals and policymakers can present their evidence with one objective – improving the safety-net’s value, outcome and standards so urban youth, families and communities better succeed.
THE SWEETEST LAND’s final cut will be submitted to a wide array of film festivals within 4-6 months. The opinions expressed in the Courant represent the views of independent researchers and SWEETEST LAND participants, not the Courant. The Courant hopes this content will provoke an open and honest exchange of ideas and perhaps a broader conversation about urban violence prevention.
In Connecticut, few would deny the devastating toll that violence leaves. In Urban America, that indescribable pain occurs every night of the year. Connecticut can begin a new process of vastly improved outcomes, accountability and connection to research in prevention and victims care. The question is, will we?
Just over a year after his graduation from Central Connecticut State University’s Film Emphasis within the Department of Communication, Filmmaker Rob Silcox has already become an integral part of the creative team at Back9Network. In his own words, Silcox gives an update on his incredible journey and the rewards of filmmaking.
Through all the self doubt and madness that every creator goes through, telling a story through a camera is what I am best at, and it’s what makes me the happiest. When I got to Central I had no idea what I’d be getting out of the program. I never really considered myself a director until I was put in the position to make something exactly the way I wanted it and have both hands in every part of producing a film.
My first project at CCSU was a battle of writing, shooting, rewriting and reshooting. Each time I brought in a draft, there was something else to fix. It was definitely a learning experience in analyzing and critiquing work and then immediately going out and fixing it.
My second film, MORNING AT LAST didn’t have a crew. I had two actors, one being my best friend, and his girlfriend. Between my own rewrites, critiques, and reshoots the film was in a constant state of change and development. When I finally stopped working on it and submitted to festivals it ended up getting best director at the Trinity Film Festival and was an official selection at a few other festivals in the northeast.
After graduating CCSU, I was fortunate enough to find a job almost immediately. I’m currently at Back9Network, a golf lifestyle network based out of Hartford. I am now the primary camera and a segment producer among other roles. I’ve directed, dp’ed, edited and produced a bunch of pieces for the company and I gotta say its really cool to see your work shown on a platform that is getting national exposure 5 days a week. Right now I’m focusing most of my attention at producing one of our network studio shows and it’s a trip. We are building a show from scratch and I am getting to be a big part in the creative process. I have been responsible for almost all in house video production from conception to post production and have shot everything from network promos to the intro sequences for all the network shows and a lot in between. It’s a ton of work but everyday is exciting and new.
This process of perfecting something until it is right, no matter how long it takes, is something I still carry with me. Filmmaking is about grit. It is about creating something real and authentic that goes beyond one project or one job. It is about perfecting your craft endlessly. An artist treats every project and every job as practice for their craft. You gotta deal with a lot of craziness in this business and the ones who make it are the ones who keep going, keep working, keep trying every day to be better. I really didn’t start learning that until I was at CCSU.
Rob Silcox – CCSU Film Graduate ’13
Posted by: Jeffrey Teitler – Professor, Central Connecticut State University
Recent graduate and CCSU Digital Filmmaking student, Kara Brewer has been fighting a rare genetic disease. She has endured a kidney transplant, brain surgery and many other complex issues related to BOR syndrome. She has also been filming her experiences with extreme courage and skill. Though the fight is ongoing and the battles are difficult, this week Kara received good news – She won First Place within Health Justice Connecticut’s Public Service Announcement Competition. Her entry, ILLNESS WILL FIND YOU was filled with intimate footage of her own disease. Kara is currently in production on her larger documentary – A film chronicling the triumphs and struggles of BOR Syndrome. The film includes cinematography by CCSU Graduate and Filmmaker, Joshua Therriault.
Posted by: Jeffrey Teitler – Professor, Central Connecticut State University
Through private consultations with research-based organizations, a rough cut of THE SWEETEST LAND was presented to Connecticut Children’s Medical Center’s Injury Prevention Center. In a rare and brave statement, the Center’s Director, Gary Lapidus wrote the following:
“Your Documentary brings to light some of the many issues that comprise this complex problem. The Injury Prevention Center at Connecticut Children’s Medical Center supports and endorses this work.”
“Communities like Hartford have no organized or unified response to violence that involves public health, medicine, law enforcement, mental health services, social work, judiciary, corrections, community organizations, state agencies and local activists. While many mean well, often efforts undertaken to reduce violence are not proven and outcomes are not measured. ”
Gary Lapidus PA-C, MPH – Director Injury Prevention Center – Associate Professor of Pediatrics and Public Health, University of Connecticut’s School of Medici
On behalf of all those we filmed, THE SWEETEST LAND, thank you for your courage and honesty with the above statement. We can be THE SWEETEST LAND
Dr. Linda Degutis, a national leader in injury prevention and recent Executive Director for the Center’s For Disease Control’s National Center for Injury Prevention and Control, formally endorses THE SWEETEST LAND.
Dr. Degutis invited a private excerpt presentation to the CDC for their GRAND ROUNDS series in 2014. Thereafter, Dr. Degutis recognized the film for “humanizing the issue behind the numbers and the news reports.” Degutis also reiterates the challenge of finding strong advocates in violence prevention and the need to use our resources more effectively.
With her endorsement, Degutis’ position not only removes the politics from violence, but more importantly recognizes the need for evidence based approaches to save lives.
We can be, THE SWEETEST LAND.
Currently, the film is in post production and we hope to have more information soon.
On behalf of the cast and crew of THE SWEETEST LAND, are pleased to announce, Newtown Action Alliance, has formally voted and endorsed THE SWEETETST LAND, a documentary film. In an effort to gain partners in prevention, the film’s rough cut was presented to the board of directors, who unanimously voted to endorse our message of violence prevention.
“Excerpts of your film reveals a less known and understood problem that is also of deep concern: the shameful ineffectiveness of programs intended to interrupt the cycle of violence among urban youth, and the many families that are unable to escape this daily threat. We endorse the idea of a national violence prevention strategy, which is based in evidence, quality care, equality and outcome.” NEWTOWN ACTION ALLIANCE.
Currently, the film is in post production and we hope to have more information soon.
Shae Sau arrived at CCSU as a transfer student from Manchester Community College.
“Film for me at CCSU has changed my thoughts and perception of production. I have gone beyond the fear of handling the camera and approaching subjects. Most recently, through film, I explored issues of gender and identity in an extremely personal way. This resulted in over 6000 views within week of posting and a mass of positive feedback on issues of gender.
Currently, I am documenting my dying grandfather who suffers from Parkinson’s disease, Alzheimer’s and Pneumonia. To be able to document his decline in-progress, and see my whole family come together, has preserved great moments of beauty and heartache. At times it was difficult filming such a personal experience, but looking back, I realize what I had done. Every moment of filming was very intimate. I am proud of the work and time put into filming this.
Shae’s grandfather passed away on March 5th 2014. Because of Shae’s intensive production work on this issue, her grandfather’s voice and moments, will soon tell a meaningful story.
Posted by: Jeffrey Teitler – Associate Professor, Central Connecticut State University